Active Filters:
Unique Chords: None
Unique Notes: > 20
Clear All Filters

Uploaders

SDG
God so loved the world, John Stainer, from the Crucifixion. John 3:16.
SDG
4:00 Est. Play
Time
78 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
T B Bass 21 0 6 7 99%
S A Treble 20 0 6 7 98%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
T B Bass 21 0 6 7 99%
S A Treble 20 0 6 7 98%
 
Am Abend, da es kühle war. BWV 244, part II, nr. 74 (BWV), nr. 64 (NBA). Johann Sebastian Bach.
SDG
2:00 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 21 0 8 2 100%
Treble 20 0 8 4 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 21 0 8 2 100%
Treble 20 0 8 4 100%
Altviool 20 0 7 4 100%
Bariton Bass 20 0 7 6 100%
Continuo Bass 9 0 2 4 100%
Contrabass Bass 10 0 2 4 100%
 
Er is een kindeke geboren op aard'. Oud Hollands kerstlied. Orgel, sampleset Giubiasco, by Piotr Grabowski. Arrangement: Gertim (SDG).
SDG
4:30 Est. Play
Time
94 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Bass 14 0 3 6 100%
Contrabass Bass 20 0 1 5 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Bass 14 0 3 6 100%
Contrabass Bass 20 0 1 5 100%
Flute Treble 19 0 4 5 100%
S
A		 Treble 19 0 4 5 100%
T
B		 Bass 25 0 4 6 100%
 
Wachet auf, ruft uns die Stimme, BWV 645.
SDG
3:57 Est. Play
Time
56 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 21 0 7 7 100%
Pedal Bass 21 0 6 3 99%
Violoncello Bass 10 0 0 9 48%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 21 0 7 7 100%
Pedal Bass 21 0 6 3 99%
Violoncello Bass 10 0 0 9 48%
 
162. O Haupt voll Blut und Wunden, J.S. Bach, BWV 244.63. Herzlich thut mich verlangen. O sacred head now wounded.
SDG
1:00 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 13 0 2 4 100%
T B Bass 22 0 6 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 13 0 2 4 100%
T B Bass 22 0 6 5 100%
 
Erfüllet, ihr himmlischen göttlichen Flammen. BWV 1 # 3. Soprano Aria, J.S. Bach.
SDG
5:01 Est. Play
Time
85 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Oboe
di
caccia		 21 0 6 6 100%
Continuo Bass 22 0 7 3 99%
Soprano 19 0 7 3 59%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Oboe
di
caccia		 21 0 6 6 100%
Continuo Bass 22 0 7 3 99%
Soprano 19 0 7 3 59%
 
Jesu meine Freude, BWV 753 with completion, Giubiasco sampleset.
SDG
3:20 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 17 0 5 8 100%
Bass 23 0 7 6 96%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 17 0 5 8 100%
Bass 23 0 7 6 96%
 
Salve Regina, Josef Rheinberger, WoO 54 Nr. 1
SDG
3:00 Est. Play
Time
46 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 17 0 7 7 100%
Basso Bass 22 0 9 7 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 17 0 7 7 100%
Basso Bass 22 0 9 7 100%
Soprano Treble 17 0 6 8 100%
Tenore Treble 15 0 6 7 100%
 
Het is volbracht! (variant I). Composed by Gertim and harmonisation improved by BSG.
SDG
0:56 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Stem Treble 13 0 3 7 97%
Bass 21 0 4 6 94%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Stem Treble 13 0 3 7 97%
Bass 21 0 4 6 94%
 
32. Befiehl du deine Wege, J.S. Bach, BWV 272.
SDG
0:55 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 16 0 5 5 100%
Treble 16 0 5 5 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 16 0 5 5 100%
Treble 16 0 5 5 100%
Bass 22 0 7 6 100%
Bass 22 0 7 6 100%
Soprano/Alto Treble 16 0 5 5 100%
Tenor/Bass Bass 22 0 7 6 100%
Contrabass Bass 16 0 5 5 50%
 
48. Liebster Herr Jesu, wo bleibst du so lange. Schemelli, J.S. Bach, BWV 484.
SDG
1:19 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 12 0 3 4 100%
T A Bass 21 0 6 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 12 0 3 4 100%
T A Bass 21 0 6 4 100%
 
God had ons zo lief, want zo lief had God de wereld, dat Hij Zijn eniggeboren Zoon gegeven heeft, opdat een ieder die in Hem gelooft niet verloren gaat, maar eeuwig leven heeft. Nederlandse versie uit John Stainer's Crucifixion
SDG
0:01 Est. Play
Time
78 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
T B Bass 21 0 6 7 99%
S A Treble 20 0 6 7 98%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
T B Bass 21 0 6 7 99%
S A Treble 20 0 6 7 98%
 
Salve Regina, Josef Rheinberger, WoO 54, no. 1.
SDG
3:00 Est. Play
Time
46 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 17 0 7 7 100%
Basso Bass 22 0 9 7 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 17 0 7 7 100%
Basso Bass 22 0 9 7 100%
Soprano Treble 17 0 6 8 100%
Tenore Treble 15 0 6 7 100%
 
Nabij Gods hoog verheven troon, Opwekking 546. SATB Arrangement: Gertim
SDG
3:56 Est. Play
Time
66 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 19 0 3 5 100%
Tenor/Bass Bass 22 0 7 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 19 0 3 5 100%
Tenor/Bass Bass 22 0 7 5 100%
 
O Heer, mijn God, wanneer ik in verwond'ring. Hoe groot zijt Gij. How great Thou art. Arrangement: Gertim (SDG).
SDG
3:14 Est. Play
Time
53 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 17 2 4 6 95%
Tenor/Bass Bass 21 0 7 6 95%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 17 2 4 6 95%
Tenor/Bass Bass 21 0 7 6 95%
Bass
Guitar		 Bass 15 0 3 6 50%
Contrabass Bass 15 0 3 6 50%
 
Nimm mich, o Herr, in deinen Hut, Josef Rheinberger, WoO 51.
SDG
2:58 Est. Play
Time
66 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violine
II		 Treble 21 1 7 7 100%
Violine
I		 Treble 24 0 9 7 98%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violine
II		 Treble 21 1 7 7 100%
Violine
I		 Treble 24 0 9 7 98%
Cello
Kontrabass		 Bass 24 1 9 7 97%
Viola 21 0 7 7 95%
Alt Treble 11 0 2 6 65%
Bass Bass 14 0 3 6 65%
Sopran Treble 11 0 1 4 65%
Tenor Treble 13 0 4 6 65%